01
Insight
I start with the audience — what they watch, share and care about, and where the cultural opening is.

Creative strategist · International
Turning audience insight into formats, campaigns and partnerships for media, entertainment and brands.
Profile
Creative strategist with international experience at the intersection of media, entertainment and brands.
Combines strategic thinking with a deep understanding of content and audiences to develop positioning, formats and partnerships for media companies as well as consumer, lifestyle and hospitality brands.
How I work
Every project follows the same line: understand the audience, build the format that fits it, and turn it into a campaign that travels.
01
I start with the audience — what they watch, share and care about, and where the cultural opening is.
02
That insight becomes a concrete idea: a series, a show concept, a content format built for how people watch today.
03
The format goes live — as a campaign, an editorial programme or a collaboration with brands, media and creators.
Selected impact
Ideas are only useful when they move something — audiences, organisations and results.
Hotel Lindauer Hof
Follower growth delivered with 96 strategically planned posts.
Badrutt's Palace Hotel
A video-led content format that also contributed to measurably more bookings the following season.
MIPCOM Spotlights
Alongside a 28% click-through rate for the editorial series.
Lipton #BeMoreTea
A multi-platform branded entertainment campaign in Switzerland.
Selected brand & industry experience
Case studies
Three recent examples — from audience growth to format modernisation to international positioning.
01
Social format & audience growth
Challenge
Grow the hotel’s social audience through a focused, sustainable publishing approach.
Insight
Understand what the hotel’s audience actually wanted to see — and what made the place distinctive.
Approach & execution
A recurring social content format, delivered as a disciplined programme of 96 posts.
Outcome
Follower growth of 186.6% across the programme.
02
Format strategy & modernisation
Challenge
Modernise a classic TV format so it reaches younger digital audiences — and the international market.
Insight
Understand how younger audiences actually watch today, and what the format must keep to stay itself.
Approach & execution
A modernised format strategy: what stays, what changes, and how the format works across digital platforms.
Outcome
A clear path for the format to connect with younger digital audiences and travel internationally.
03
Positioning & international pitch
Challenge
Position a Croatian Gen Z platform credibly for the international market.
Insight
Know what international buyers and partners look for — and what makes a Gen Z platform distinctive to them.
Approach & execution
International positioning and pitch preparation, built around the platform’s audience strength.
Outcome
A sharpened international story and a pitch prepared for MIPCOM.
Newsletter & platform
Building the bridge between TV, brands and creators.
My own B2B platform on where media and culture are heading — the audience thinking behind every strategy, format and campaign I develop.
1,200+ industry subscribers
Read by people at Netflix, Disney, A24, BBC, adidas, WPP and more.
Programmes, panels and live conversations for industry audiences — I bring the questions, the guests and the through-line.
On stage and on programme at global industry events — on the future of TV, Gen Z audiences and the creator economy.

Branded Entertainment Summit, Cologne
Hosting and curating the inaugural summit for producers, agencies, brands and creators shaping brand-funded content.

IPXchange — Independent Producers' Exchange, Cologne
Curated and moderated the exchange in 2023 and 2024 — plus presentations on Gen Z, Branded Entertainment and the Creator Economy.

NEM Dubrovnik
Panel | What mega mergers mean for the future of media.

Gen Z Decoded: Digital Training Day, Cardiff
Curated and moderated the whole day — plus a presentation on Gen Z: what TV producers can learn from Gen Z's platform-native storytelling and audience engagement.

Copenhagen TV Festival
Why Gen Z is not lost for the TV industry — understanding the digital native generation.

Unboxing Gen Z: Rio2C, Brazil
What brands can learn from Gen Z's approach to authentic storytelling and branded entertainment.

MIPTV, Cannes
Adapting your business model for tomorrow's social space.

Fremantle Global Entertainment Development, London
Gen Z and digital platforms — understanding the next generation of media consumption.
Expertise
Reading audiences and culture, and turning that reading into concrete creative direction — the core of everything I do.
Original concepts, modernised formats and series built from insight, for how people watch today.
Social-first campaigns and branded content that earn attention instead of buying it.
Distinctive positions for brands, formats and platforms — grounded in audience and commercial reality.
Brand, media and creator collaborations built on shared creative value.
Sharp programmes, panels and conversations for industry audiences.
Experience
Education
Entertainment Master Class · Erich Pommer Institute, Berlin (2009)
Film & TV graduate studies · Film University Babelsberg Konrad Wolf (2008)
TV studies abroad · Kingston University London (2007)
Literature & Media Studies · University of Konstanz (2004)
Languages
2021—Now
International
Audience strategies, formats, positioning and partnerships for media, tourism, hospitality and entertainment clients — plus the TV Futurist platform, curation, moderation and teaching.
2019—2020
Jung von Matt/Limmat · Zurich
Brand and content strategies for international consumer, lifestyle and premium brands; Ovomaltine content reached 70–100K views per video with ~20% Instagram engagement.
2017—2019
Frequency Networks · Zurich / Los Angeles
Content and audience strategies for Liberty Global brands; partnerships across EMEA with VICE, Ringier/Blick, Studio71, LADbible and more.
2016—2017
TBWA · Zurich / Los Angeles
Branded entertainment and social-first concepts, including narrative Instagram formats for McDonald's; led a team of strategists and producers.
2014—2016
joiz TV · Zurich
Built and led the branded-entertainment studio as a member of the executive team; Lipton's #BeMoreTea campaign reached 1M+ viewers in Switzerland.
2014
The Project Factory · London
Developed, pitched and sold digital entertainment products, including Sherlock: The Network (BBC) and Downton Abbey (ITV/NBCUniversal).
2013—2014
Spirit Studios · London
Social strategy for Made in Chelsea — around 130,000 tweets per week — plus Sony Pictures Television and Kevin Richardson.
2012—2013
Bigballs Films / COPA90 · London
Production and localisation of YouTube formats including The Eurofan.
2011—2012
Sky · London
International content sales across Benelux, Ireland, the UK and US VOD.
2010—2011
Producers at Work · Berlin
Story arcs and episodes for the Sat.1/ORF series Hand aufs Herz.

“Curating and moderating conversations about the future of media and culture.”
Recognition & industry roles
Thought Leader of the Year 2018 · M&K
U.S. O-1 Extraordinary Ability Visa · 2019—2022
Rose d'Or Awards · Jury member since 2019
Rio Web Fest · Jury member since 2021
Television Academy · Emmy voter 2017—2022
A format, a campaign, an audience question?
I work internationally with media companies, brands, agencies and ambitious teams on formats, campaigns, audiences and creative partnerships.